The Classical Style

Last night Dave and I went to Hertz Hall on Berkeley campus to hear The Classical Style, a very silly one-act opera based — if that’s the word for it — on Charles Rosen’s book about the music of Haydn, Mozart, and Beethoven. The tickets were a gift from old friends who saw it at the Ojai Music Festival last week, enjoyed it, and apparently figured that if anybody else would enjoy it, too, Dave and I would. They were right; Dave and I howled with delighted laughter through the whole thing.

It’s not an opera for everyone, that’s for sure. The piece is full of jokes and loopy references that take a certain knowledge of classical music to get. (If you like Anna Russell and P.D.Q. Bach, you’d probably enjoy this.) I don’t think you’d have to have actually read Rosen’s book, but it sure doesn’t hurt. Haydn, Mozart, and Beethoven are themselves characters (stuck in heaven playing Scrabble for all eternity), as is Charles Rosen himself; there are also characters named Dominant, Tonic, and Subdominant (who go into a bar), as well as a mysterious, wandering stranger who wears a trench coat and eyepatch and who turns out to be The Tristan Chord. Characters from Don Giovanni wander in and out of the action as well, as does a nerdy young musicologist whose analysis of Giovanni has all too antierotic an effect on the Don himself. And many other characters as well, all played by a cast of eight who are kept busy doubling parts all over the place.

There is also a hilarious portrayal of an academic symposium on the sonata form, constructed as a great big movement in you-know-what.

The whole thing is an extended prank, but the invention and wit never let up.

To fill out the evening, the opera is preceded by a really splendid performance of Haydn’s “Rider” string quartet. Totally enjoyable evening.

One more performance tonight. There were tickets on Goldstar yesterday.

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